The poetry comes from the collection We Wasn’t Pals: Canadian Poetry and Prose of the First World War, edited by Barry Callaghan and Bruce Meyer (Toronto: Exile Editions Ltd., 2001).
(Illustrations created by Benjamin Sajo, the composer)
Lieutenant Colonel John McCrae, M.D., "In Flanders Fields":
It is appropriate that the Great War Sextet begins with this work, recited and heard by millions around the world on Remembrance Day or on other memorial ceremonies.
Sapper William Wrighton Eustace (W.W.E.) Ross, "Soldiery":
Considered to be among the first Canadian modernist poets, W.W.E. Ross was a member of the Signal Corps in the Canadian Expeditionary Force. His poem, Soldiery, is an example of his laconic style--sparce, powerful, and direct:
Private H. Smalley Sarson, “Love Song”:
Henry Smalley Sarson epitomizes the archetypal farmer called to patriotic action. An English immigrant, Sarson was wounded in 1916 while serving with the Canadian Field Ambulance; his collection of poetry, From Field and Hospital, written during his recovery, represents the perspective of healers thrown into Hell.
William H. Ogilvie, “Canadians”:
Although not necessarily a Canadian by birth or in life, William H. Ogilvie was considered one of the most favourite Australian and Scottish poets in 1914. However, being a professional jackaroo, he was responsible for preparing Canadian horses for the Army Remount Services. The Canadian breed was renowned as a sturdy, graceful, and powerful mount and his poem, Canadians, is a beautiful and feisty ode expressing the author's love for them:
2nd Lieutenant Bernard Freeman Trotter, "Smoke":
Determined to serve but initially declined due to poor health by the Canadian Corps, he found his way into a commissioned position as a lieutenant in the British Army. A graduate student at the the University of Toronto, a lover of nature and full of youthful promise, he was killed by a shell in 1917. He was 26 years old.
Corporal Adelard Audette, "No Man's Land":
Of the 22nd Battalion, he lost both his legs at the Battle of Vimy Ridge and, soon after, published a collection of poems with his brother to help raise money for veterans: A Few Verses and a Brief History of the Canadians on the Somme and Vimy Ridge in the World War, 1914-1918 (London: A. Talbot, 1919). Although in rhyming verse, this poem reads like a journal entry and concludes our concert: